The worst thing about traveling to the stars was the schedule. SCN protocol required that each of us exercise 90 minutes a day -- the prolonged zero-gravity demanded it -- and yet all of us shared only 4 health stations. If you do the math that meant that there were 3 hours in every 24 hour day that there wasn't someone working out. Protocol also required a period of recreation for the whole team, an odd requirement when making it happen meant stressing everyone out.
We slept in 3 shifts, offset by 7 hours. The shifts rotated slightly over the 72 day transit, and at every moment I think I was on the bad end of the plan. My body likes to exercise in the morning and sometimes early evening, so naturally my allotted time was late afternoon and night. Typical, somehow. I was also normally just waking up when the party was starting.
The social period involved pulling back all the curtains and securing as much as possible to the perimeter of our cylindrical dorm, leaving the center space free for people to mingle, float around and do gymnastics. Every nine days we had a ration of ethanol for our beverages, and then it was a party. Just what I needed when I was getting out of bed.
There was one moment that made it all worthwhile. It was not a "party" day as such; people were mostly talking in small groups about technical topics. There was music playing, but it was localized. You might move from group to group and hear a different mood, or mix or completely different selections. Somewhere, and everybody remembers hearing it (although that may not be possible), there was a long whining drone that wavered ever so slightly. Anyone who grew up after about 2280 knows that note by heart. For me I feel like this note -- the opening of the greatest sing-along song of all time -- makes my entire soul reverberate.
History is full of music. People make music all the time, everywhere, doing everything. Rhythm is a strange human thing. Most of it is personal, or mundane, or interesting for a short time. Ironically, only after the invention of crass "popular music" can some some of it become timeless. Motzart's Eine Kleine Nachtmusik, Beethoven's 5th, The Beatles' Twist and Shout, Nagamoto's Nintendo Variations, and of course, Doty-gon by The Unobservables.
The change hit me like a wave. At first the note was just barely audible, something that my acute pattern-seeking mind was picking out of the background noise. Within seconds, before the first note twisted and the drumbeats began, it was everywhere. Everyone had tuned their own music to the common theme, and it echoed throughout the tiny ship.
For The Unobservables had created a new type of art form, the collaborative sing-along, and no-one was going to be left behind. The words boomed out, the same intro as always, and then new words appeared in front of my eyes and I sang them. Someone had written, in the seconds between the time the first note had lingered until now, a new first verse. One about the G. Agricola and her band of explorers.
The singing and the composing were the same: both music. The verses forming in real-time -- flashing across the tiny network -- like a harmony to the singing in sound waves; or perhaps it was the simpler sounds that were the rhythmic counterpoint to the cloud of ideas and revisions happening in the virtual space of the miniature Roam. Frankly it was hard to tell. One could get lost in the minutia of fixing a meter or filling in a rhyme while belting out the Fibonacci-inspired chorus:
Di, di
po, pi, dity
di-do, di-dity, po-dity
doty-po, poty-pity
di-pi-di
Imagine my surprise, while working on another verse at the same time, to find myself singing about myself:
Philosopher ethologist Walkran
not deigning to walk, ran
nature’s quiet daughter vets Ticho
sentient epi-man?
che we know.
Technology’s finest Evo child
yet she minute trace wild
setting underwater and see below
ocean facts are filed
nu we know.
I rated a complete verse, as did Evo. Gregol's entire wolf pack got a single verse for the five of them. I felt quite special.
Peak experiences have a way of slipping though your fingers, and I don't feel like my meager words really capture what happened that day. These are extraordinary people, chosen from a pool of extraordinary people, and -- although sometimes I complain -- I can't imagine anyone who should be here who is not. Or more strongly, who is here who should have stayed home.