I will confess a weakness; I love bad science fiction movies. Not avant-guard movies, or movies about challenging topics – not that kind of bad. I like science fiction movies that have idiotic plots, 2D characters, wooden actors and papier-mâché sets. Special effects? Don’t need them. So long as the costumes have pointy shoulders and the dialog is overblown and pompous, I’m there. That’s not to say that I have no standards; I do. It’s just that they can be easily overwhelmed by the clichés of my childhood obsessions. And capes and wacky headgear. But mostly it’s the pointy shoulder pads – the pointier the better.
Therefore it should come as no great surprise that I mostly like the 1980 Flash Gordon movie. Despite everything it had going for it – costumes to beat the band, scenery chewing by the BBC A-list, and a soundtrack by Queen – it managed only to be mediocre. Still, the shoulders: my god were they pointy. In any case, I’ve been watching the SciFi channel’s new Flash Gordon TV series and was tickled to see that the series is following some of the plot elements of the movie. (Or perhaps both are deriving their story from the comic (which I have only seen bits of in odd bookstores) or the old movie serial (which I have not seen for years), whichever came first.) I can’t help feeling that someone on the staff was also a fan.
Obviously there are differences in translating a 30 year-old movie (or 70 year-old serial) to a cable series, but what struck me most was one change that while trivial seemed almost venal. In both the movie and the TV show Ming captures Flash and Dale, sending Flash to his dungeon and Dale to his bed chamber. Slave girls prepare Dale for her erotic encounter with the emperor, dressing her in ridiculous boudoir clothing and joking that the whole thing will be brief, but also offering her psychic relief. In the movie this was a special wine that would render her insensible. But in the cable series it was an earphone that produced music that induced a state of “waking sleep.” In both cases the intrepid Dale manages to use the offered device to intoxicate a slave girl to take her place and escape.
But why this seemingly trivial change from adulterated wine to sleepy song? It’s about standards of decency. We as viewers are confronted with a tyrant intending to systematically rape one of his prisoners. The censors apparently didn’t want that experience tainted with something that might be interpreted, however vaguely and abstractly, as a reference to using drugs. After all, this was prime time. There might be children watching.
Someone’s got their priorities all out of whack.
- jack*
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